Min-Ad: Israel Studies in Musicology Online  

Vol. 12, 2014

 

 

Vol. 12, 2014

A R T I C L E S

 

 

 

YOEL GREENBERG

Ben-Haim’s String Quartet, Op. 21: A Programmatic Reading
   

YULIA KREINEN

Two Facets of the Creative Process: Mark Kopytman’s Writings on Composition

 

 

DAVID Z. KUSHNER

Ernest Bloch in San Francisco
   

ANATOLY MILKA

The Title Page of  J.S. Bach’s The Art of Fugue and the Question of Authorship

   

YUVAL RABIN

"אמירות נרדפות" בחזרות המשתנות של קפ"ע באך – תופעת החזרות המשתנות כתומכת במבנה היצירה.

"Synonyms statements" in the Varied Repeats of C.P.E. Bach - Varied Repeats as a Structural Feature in C.P.E. Bach's works

   

ADENA PORTOWITZ

Interview with Marina Ritzarev: From Russian Immigrant to Dynamic Israeli Musicologist

 

 

R E V I E W S

 

 

 

JUDITH COHEN

Singing Dante: The Literary Origins of Cinquecento Monody, by Elena Abramov-van Rijk. Farnham , UK: Ashgate, 2014.

 

 

REBECCA CYPESS

Carmel Quartet, with Shuli Waterman, viola. Paul Ben-Haim: Chamber Music for Strings. Toccata Classics (TOCC 0214).
   

SANDER L. GILMAN

The Music Libel against the Jews, by Ruth HaCohen. New Haven: Yale University Press, 2011.

 

 

FLOYD GRAVE

Guidelines for Style Analysis, by Jan LaRue. Expanded second edition, with Models for Style Analysis, a companion text. Edited by Marian Green LaRue. Sterling Heights, MI: Harmonie Park Press, 2011.

 

 

JOAN GRIMALT

Music Semiotics: A Network of Significations. Esti Sheinberg (ed.), Aldershot: Ashgate 2012.

 

 

ESTI SHEINBERG

Tchaikovsky's 'Pathétique' and Russian Culture, by Marina Ritzarev. Farnham, UK: Ashgate, 2014.

 

 

O B I T U A R I E S

 

 

 

JEHOASH HIRSHBERG

Yehezkel Braun (Breslau, 18 January 1922—Tel Aviv, 26 August 2014) and his Rebellion against Composing while Thinking

 

 

YINAM LEEF

Michal Smoira-Cohn (1926-2015)

 

 

EDWIN SEROUSSI

Prof. Amnon Shiloah (19282014)

 

 

 

 

ABSTRACTS

 

 

 

CONTRIBUTORS

 

 

 

Vol. 12, 2014